What a month! A mild summer here in NYC doesn't mean that the fall is any less welcome. It's my favorite time of year. The cool, crisp weather makes me want to curl up with a cup of tea and take a deep dive into a great book. With that in mind, here are a few of the things I've enjoyed this past September:

Devil in Winter (Wallflowers #3)

by Lisa Kleypas

Amazon | B&N | iBooks

Excuse me for a moment while I drop the professional author guise and go all fangirl for a moment. OH MY GOD, THIS BOOK. I'm not sure what prompted me to pick it up -- perhaps it was all of the people telling me over the years that I would love Kleypas' historicals. I should listen to those people more often.

This is a marriage of convenience story (which just happens to be one of my favorite tropes). Sebastian, Viscount St. Vincent, is the perfect alpha hero. His alphaness is director more towards protecting the heroine, Evie, than being a bossy asshole. Even better, although Evie is quieter than her husband, she has serious backbone. The chemistry between them is electric, and it's wonderful watching their marriage of convenience turn into love.

Unlocked (Turner #1.5)

by Courtney Milan

Amazon | B&N | iBooks

Courtney Milan is pretty much an instabuy for me at this point. I found this novella in the Seven Wicked Nights boxed set featuring a lot of my favorite historical authors. It tells the story of a heroine who has been bullied for years and the man who has to humble himself to win her heart. Since it's a Milan, there's no surprise that there's a good dose of science in the storyline as well.

Upside Down (Off the Map #1)

by Lia Riley

Amazon | B&N | iBooks

I'm not a very prolific New Adult reader. Usually the high drama and angst turns me off, but I found that this book has just the right mix of humor and drama. Upside Down also fills my recent cravings for romances in unusual settings as the action takes place in Melbourne where Talia is studying abroad. I'm lucky enough to have gotten an early read of book 2, Sideswiped, and I've got an author interview with Lia Riley coming up in a few days so keep an eye out!

A Magnificent Obsession: Victoria, Albert, and the Death that Changed the British Monarchy

by Helen Rappaport

Amazon | B&N | iBooks

If you're feeling like some history, this might be a good place to start. Rappaport is a highly accessible writer who focuses in on a specific period of Queen Victoria's reign. The book focuses primarily on the death of Albert and Victoria's decade-long period of high mourning for him. It touches on the Victorian obsession with death and the various social and political issues caused by the queen's refusal to assume her public duties. If you're at all interested in the Victorian era, this is a good way to dive a little deeper into a fascinating subject.

Just a quick heads up. First Draught is coming up on October 7th. We'll be talking about revising that book you started but shoved in a drawer (or the deepest, darkest depths of your hardrive). RSVP here to make sure you don't miss out on the discussion!

As I continue to work my way through edits on this novella, I've been thinking a lot about the romances I love to read. I read pretty widely, so it's tough to just boil it why something works for me. Attributing it to "accuracy in historicals" or "really hot sex scenes in contemporaries" kind of falls sort.

Then I realized I know exactly what all of my favorite romances have in common. It all revolves around how the author treats the female character in the context of the relationship. Let me break it down for you:

1) The heroine has a strong sense of who she is.

My close female friends all have one thing in common: they know who they are outside of their relationships. I look for the same thing in a heroine. I wouldn't want to see a friend lose herself in a relationship. Same goes for my heroines. I want to read about women who can define who they are outside of the hero.

2) Female economic independence.

One of the best classes I ever took was called the History of American Women taught by Professor Victoria Brown at Grinnell College. She told me that patriarchy survives when a woman is forced to be economically dependent on a man. It's a simple but powerful idea.

I find myself drawn to heroines who have some degree of economic independence from the hero - even in historicals. It's a tricky line to walk because you never want to be anachronistic, but money complicates relationships. There's nothing wrong with reading books about women who must marry a marquis to save her family, but I'd rather see her come to the relationship with some financial options (even if they aren't great ones). I want her to have a chance at coming to the relationship as an equal.

3) The hero must respect the heroine.

I have no interest in reading books about men who belittle the women in their lives. It's not a show of masculinity. It points to a lack of human decency. This is the reason that I will likely not continue reading certain popular romantic erotica series. Works for some people. Doesn't work for me.

4) The sex is unequivocally consensual.

Consent is a big deal. There are a lot of old school romances that use rape as a device to move a relationship forward (see Sarah Wendell's Beyond Heaving Bosoms for a full breakdown or check out her excellent website). Thankfully these books mostly died off in the 80s. However, there is still a lot of grey area in romance novels. I think that the heroine and hero should both express their mutual consent during sex scenes like in, you know, real life.

I have no interest in writing a sex scene where someone is fearful. I have no interest in reading them either. That's not sexy. What is sexy is trusting your partner enough to ask them to do more adventurous things with you and acknowledging that you are both consenting adults who have had a conversation about boundaries.

5) Compromise.

My family, friends, and really anyone who has the misfortune of talking to me for long enough knows that I cannot stand it when a heroine gives up her entire life for a hero. I find books where one person blindly abandons life ambitions unrealistic and problematic. It all goes back to respect and maintaining one's identity as I mentioned above. Compromise is a realistic part of every relationship. No matter how crazy pants the book is, the relationship has to ring true.

So that's me. I'm curious to hear your thoughts. Do you have any themes among the books you like to read? Any triggers that set you off and make you want to throw a book against a wall? Comment away!