The Women Who Ran Towards Bombs

After the greatest darkness...There is light..png

In researching my upcoming release, The Light Over London, I was continually amazed at the many—often unsung—ways women contributed to the war effort in Britain during World War II. The Lightseekers is an ongoing series of articles that highlights some of their work and the ways they brought light to Britain in one of its darkest times.

The London Blitz saw 56 out of 57 days of German attacks on the capital city, claiming an estimated 17,500 lives. People learned to shelter in basements, purpose-built spaces, church basements, and Underground stations. But every night, at least one group was out on the streets.

The air raid wardens in London, Newcastle, Liverpool, Glasgow, and all over the United Kingdom, were responsible for both keeping the British public safe and acting as first responders. Most were civilian volunteers who also worked a day job, although there were some full-time air raid wardens. But most of all, their jobs were incredibly dangerous and important.

Air raid wardens were covered by the Air Raid Precautions (later the Civil Defence). Their ranks were varied. Some of the men were World War I veterans who were unable to fight or were deemed too old. About one in every six warden was a woman. 

Elaine Kidwell, who served as an air raid warden in Swansea, told Wales Online in 2009, “We were a family of volunteers so I joined up as a civil defence messenger and when I was 17 years and two months old I asked to be an air raid warden even though you had to be 18. The man in charge could see I was young and when I told him my true age he said ‘In war we bend rules’. So I was in.”

Each warden had a post which covered a certain area and certain sectors within that area. At the start of the war, with no major German air attacks, they were tasked with registering everyone in their sector. They also made sure everyone “did the blackout”, which meant blocking out all visible light in a home either through blackout curtains or by turning off all lights after dark. The wardens were easy to spot with the bright white W painted on the tin helmet they were issued, but they weren't always welcome in those early months. Some saw them as busybodies or pests who demanded to know why a family's blackout wasn't up to scratch.

When the London Blitz started on September 7, 1940, all that changed. When the air raid sirens would sound, everyone else was meant to shelter. The wardens, however, helped people into shelters, touring their sectors to make sure that no one was out and in danger. That exposed them to the possibility of being hit themselves, either by a bomb, falling bricks, shrapnel, or other debris.

Kidwell recalled a close encounter while on one of her shifts: “I suddenly saw a parachute mine drift down a few yards away and it went off, blowing me backwards until I hit a wall. Amazingly, I was alright so I dusted my jacket down and applied my lipstick. My lipstick was like my armour so I felt safer."

All-in War Worker- Everyday Life For Mrs M Hasler, Barnes, Surrey, 1942, courtesy of the Imperial War Museum

All-in War Worker- Everyday Life For Mrs M Hasler, Barnes, Surrey, 1942, courtesy of the Imperial War Museum

At sixteen, Dorothy Lee volunteered to become a part-time warden like her father. In an interview with the website Memories of War, she recounted her what it was like to be out on the streets when the bombs were falling, saying, "I don’t think I was ever that scared. But then again maybe because you’re young."

If a bomb were to fall in a sector, a warden was often the first on the scene—long before the fire brigade, police, or ambulances arrived.

"You all have something you must do," said Lee. "You’re not running around which—you had to be orderly and do these things and I think that kept me sane in as much as I was panicking that day."

The wardens performed what first-aid they could and put out smaller fires. When a building collapsed, they might be one of the people digging survivors out. It was just as possible that they would find they were too late.

At the end of a shift, when the all clear sounded, wardens would submit information on bomb strikes in their sectors including the size of the damage. Then they would go back to their normal day jobs until their next shift.

"It’s amazing what you can endure if you’ve got a job and you stick to it," said Kidwell.

Read every story of the The Lightseekers in the series archive. You can also learn more about their stories by following the hashtag #TheLightseekers on InstagramFacebookTwitter, and Pinterest.

The Woman Who Broke the Story of World War II

After the greatest darkness...There is light..png

In researching my upcoming release, The Light Over London, I was continually amazed at the many—often unsung—ways women contributed to the war effort in Britain during World War II. The Lightseekers is an ongoing series of articles that highlights some of their work and the ways they brought light to Britain in one of its darkest times.

The biggest scoop of World War II belongs to an extraordinary journalist at the dawn of her career. 

A woman with such a colorful life and career that it almost would be hard to believe if it wasn’t true, Clare Hollingworth’s early life is relatively unextraordinary. She was born in Leicester and raised on a farm. After attending domestic science college and spending some time working, she won a scholarship to London University and then went to Zagreb University to study Croatian. 

Hollingworth began working as an activist for a charity in Europe that would be credited with saving the lives of thousands of refugees from pre-war Nazi Germany. According to her obituary in the New York Times, her work secured visas for between 2,000 and 3,000 people before it came to an end in July of 1939.

After she returned to London, she talked her way into an assignment working as a stringer for the Daily Telegraph. On August 28, 1939, just three days after she was sent to Poland, she borrowed a British diplomat’s car and drove to the border with Germany. According to the New York Times, “Alone on the road from Gleiwitz…she watched as the wind lifted a piece of the tarpaulin that had been erected on the German side to screen the valley below from view,” and saw hundreds of German tanks. It was the invasion of Poland that would mark the start of World War II.

Hollingworth raced back to Poland to call her editor. Her story ran on the front cover of the Daily Telegraph with no byline under the headline: “1,000 tanks massed on Polish border. Ten divisions ready for swift strike”. It would prove to be one of the biggest scoops in the history of journalism. 

Prime Minister Nevill Chamberlin warned Germany that it had until September 1, 1939, to withdraw from Poland or face war. At dawn on the day of the deadline, Hollingworth found the story coming to her. She woke up to German bombers and artillery fire near her hotel in Katowice. When she called a friend at the British embassy in Warsaw to warn him, he didn’t believe her so she held her phone receiver out the window so he could hear it all unfolding. Britain and Germany were at war.

Hollingworth would go on to cover the war from multiple fronts in Europe and North Africa. She would report on major breaking stories and conflicts like the Vietnam War, the Cambridge spy ring, various conflicts in the Middle East, and multiple wars. 

“Often under fire, occasionally arrested and possessed of such a keen nose for covert information that from time to time she was accused of being a spy—both by local governments and by the British—Ms. Hollingworth was friend, or foe, to seemingly everyone in a position of power in the world at midcentury,” the New York Times obituary recalls.

Hollingworth slept on the floor of her Hong Kong flat well into her 90s in order to keep from going soft. She carried a revolver, wore a safari jacket most of her life, and hated housework thanks to her years in domestic science college. 

Her first husband divorced her after 15 years, citing desertion because she was always out reporting. “When I’m on a story, I’m on a story—to hell with husband, family, anyone else,” she said in an interview with the Guardian in 2004.

Hollingworth was not universally liked but, in reading her interviews, one gets the sense that hardly mattered. She was respected, a doyenne of conflict journalism in the twentieth century. 

Clare Hollingworth died in her Hong Kong flat in January of 2017 at the age of 105.

Read every story of the The Lightseekers in the series archive. You can also learn more about their stories by following the hashtag #TheLightseekers on InstagramFacebookTwitter, and Pinterest.

Writing Synopses The Sell

I recently taught a workshop with Alisha Rai at the Romance Writers of America conference in Denver about writing synopses that grip editors and agents and sell your book, During that, I promised that I would link to a presentation I'd put together for another workshop walking through the mechanics of what a synopsis needs. If you're looking for that presentation, you can find it here. (Please enjoy the Queer Eye GIFs.)

Authors, please feel free to reach out to me with any questions at juliakelly@juliakellywrites.com.

The Lightseekers

After the greatest darkness...There is light..png

In researching my upcoming release, The Light Over London, I was continually amazed at the many—often unsung—ways British women contributed during World War II.

The Ack-Ack Girls manned the anti-aircraft guns defending Britain from Luftwaffe attacks. 

Spies got valuable information out of Germany, occupied France, and other enemy territories.

Land Girls worked the farms and fed the country.

Factory girls braved dangerous conditions to make the munitions necessary to fight battles on all fronts.

All of these women were instrumental to achieving the ultimate goal: winning Britain the war.

After the greatest darkness... there is light.
— The Light Over London

As I kept reading about these ordinary women rising to the challenge and doing extraordinary things, I realized that I didn't just want to tell the story of The Light Over London. I wanted to tell all of their stories. I wanted to show their bravery and single-mindedness, hoping to teach just a few more women their stories as I told them.

I call these women The Lightseekers, and over the coming months I'm going to endeavor to tell their stories both here and on social media. You can follow stories of The Lightseekers on my blog and in The Lightseekers archive which will grow as articles are released. And for more information, you can follow the hashtag #TheLightseekers on Instagram, Facebook, Twitter, and Pinterest.

What I Read: April to June 2018

I've been keeping a reading list off and on since I was in college...let's just say many years ago. I will always regret that I haven't been consistent with it because I love having a record to look back on and remember those hidden gems that I loved but might have forgotten.

When I look back at this past three months of reading, I'll have plenty to remember fondly. Click on any of the titles below to find out more about these recommended reads. Follow me on Goodreads or leave a comment below to let me know what you think I should read next.

Meet Me at RWA in Denver

A quick note for those readers headed to the Romance Writers of America national conference in Denver this year. I'll be signing books at the Pocket and Gallery signing at 8:30 a.m. on Thursday, July 19. Bring your coffee and come get a copy of The Light Over London signed!

I will also be teaching a workshop on writing synopses that sell with Alisha Rai on Saturday, July 21. Come for the practical advice, stay because Alisha is a delightful person with great hair and lipstick game.

I can't wait to see you at all RWA!

Here Comes the Royal Bride

With the royal wedding of Prince Harry and Meghan Markle just days away—and the speculation over who will wear what at the wedding of the year at its max—I thought it would be the perfect time to take a look back at four of Britain's royal brides of the Victorian era. 

Queen Victoria

10th February 1840: Queen Victoria (1819 - 1901) and Prince Albert (1819 - 1861) on their return from the marriage service at St James's Palace, London. Original Artwork: Engraved by S Reynolds after F Lock. Courtesy of WikiMedia Commons

10th February 1840: Queen Victoria (1819 - 1901) and Prince Albert (1819 - 1861) on their return from the marriage service at St James's Palace, London. Original Artwork: Engraved by S Reynolds after F Lock. Courtesy of WikiMedia Commons

Queen Victoria married Prince Albert of Saxe-Coburg on February 10, 1840, in the Chapel Royal of St. James Palace. She famously proposed to him, befitting her status as the monarch. Queen Victoria's wedding is also notable for setting the trend of wearing a white wedding dress.

Victoria, Princess Royal

The Marriage of Victoria, Princess Royal, 25 January 1858, Courtesy of WikiMedia Commons

The Marriage of Victoria, Princess Royal, 25 January 1858, Courtesy of WikiMedia Commons

Queen Victoria's eldest daughter was married to Crown Prince Frederick William of Prussia (the future German Emperor and King of Prussia Frederick III). The marriage was arranged by Queen Victoria and Prince Albert. Frederick proposed to Victoria in 1855 when she was 14 years old. Their betrothal was announced in 1857, and the wedding took place on January 25, 1858.

Alexandra of Denmark

The wedding of Albert Edward, Prince of Wales (later King Edward VII), and Alexandra of Denmark, London, 1863, Courtesy of WikiMedia Commons

The wedding of Albert Edward, Prince of Wales (later King Edward VII), and Alexandra of Denmark, London, 1863, Courtesy of WikiMedia Commons

Princess Alexandra of Denmark, or "Alix" as she was commonly known to her family, married the Prince of Wales on March 10, 1863 at St. George's Chapel at Windsor Castle. That same chapel will play host to Prince Harry and Meghan Markle's wedding.

Princess Louise

 Princess Louise at her wedding, 21 March 1871, Courtesy of the Royal Collection.

 Princess Louise at her wedding, 21 March 1871, Courtesy of the Royal Collection.

Princess Louise (my favorite of Queen Victoria's daughters for her work as a sculptor and her love of the arts) married John Campbell, Marquess of Lorne and the heir to the Duke of Argyll. This was extraordinary for a few reasons:

  • Louise chose her husband, expressing no desire to marry a prince as had been proposed by several members of her family
  • It was the first marriage between the daughter of a sovereign and a British subject that had been given official recognition since 1515

The pair were married at St. George's Chapel at Windsor Castle on March 21, 1871. Her veil was made of Honiton lace which she deisgned herself.

Publishing, Happily Ever Afters, and the #MeToo Movement

Publishing, Happily Ever Afters, and the #MeToo Movement

In my wide-ranging interview, I invited Kassia and Simon into the world of romance and genre fiction. We spoke about how I came to write my first books, the importance of marketing and social media for writers, and the pros and cons of self-publishing in this genre. I also talked about the impact of the #metoo movement on the world of romance.

Celebrating the Woman With Two Birthdays

A very happy birthday to the woman who has, well, two birthdays!

Queen Elizabeth II was born on this day in 1926. It's her actual birthday, but she also has an official birthday or June 9 when the weather is usually better for Trooping the Colour. This has been a common practice among the British monarchy for several rulers.

If you'd like to celebrate the queen's actual birthday, I strongly recommend you head to The Court Jeweller. The blog chronicles the royal jewels of royal families across the world and, as you can imagine, the queen features heavily.

Many happy returns of the day, Your Majesty.

Hollywood's Underestimated Woman

Ever since I was a little girl, I've loved the glamor and drama of old Hollywood. It probably started with To Have and Have Not. I watched it when I was around 12. There was something about Lauren Bacall, all smolder and vulnerability, with her beautiful hair and deep voice. I wanted some of her grown-up sophistication for myself, and so I snapped up as many of her movies as I could find. The Big Sleep, Key Largo, Dark Passage, How to Marry a Millionaire.

From there I discovered Katherine Hepburn in The Philadelphia Story, Cary Grant and Ingrid Bergman in Notorious, Clark Gable and Claudette Colbert in It Happened One Night, Gene Tierney and Dana Andrews in Laura. (One of my favorite movies.) The list goes on and on and on.

As I got older, I began to learn more about the other side of Hollywood that is often sordid and sometimes tragic. I've listened to most of You Must Remember This, an excellent podcast about the film industry, Los Angeles (where I grew up), and the people who created the movie myths we still believe today. However, I only knew bits and pieces of one of its most extraordinary women.

Hedy Lamarr was widely recognized as one of the most beautiful women in the world during her heyday in the 1930s and 1940s. An Austrian actress, she was scandalous and alluring. She was also an almost unrecognized genius, but the documentary Bombshell is trying to change that.

Lamarr was an inventor with an inquisitive mind. During World War II, she came up with a technique called frequency hopping that would allow the navy to deploy torpedos that couldn't be jammed by German submarines. Her invention, largely neglected at the time, has become the basis for Bluetooth, Wi-Fi, and military technology being used today.

Her fascinating, sometimes deeply sad story, is told through interviews with Hedy, her family, and others. You get a picture of a woman who was pigeon-holed into being just a beautiful face because, to paraphrase one interviewee, you don't get to be Hedy Lamarr and be smart. She was difficult and complex and funny and so many things, and now the movie-going audience who loved her films is getting a chance to see a more complete version of her.

Come Meet Me in Boston!

A quick note for those readers in the Boston area: I'm coming to you guys! I'm going to be teaching a couple workshops at the Let Your Imagination Take Flight Conference from NECRWA. My workshops will be:

  • Sell Your Book in 3 Pages: How to Write Gripping Synopses
  • How to Maintain a Brand While Writing Across Subgenres… Or Not (with Megan Erikson and Kristen Strassel)

Unfortunately, those sessions are only option to conference registrants, however, I will be supporting my fellow authors at the conference signing which is open to all member of the public. If you come say hi, I'll have some The Look of Love bookmarks to give away!

What I Read: January to March 2018

It's always been easy to tell what sort of mood I've been in based on the types of books that are on my completed list. Lots of romances? High stress time.

Plenty of mystery? I've probably been writing to meet a deadline and have been looking for something completely different.

Loads of history? Guess who's doing research.

January, February, and March (or Q1 for those of your who are business minded) was a mix of all of those things. I read a few standouts across several genres, and they're definitely worth a shoutout. Keep reading for those recommendations, and be sure to follow me on Goodreads and BookBub for more!

If you like your history glamorous...

The Riviera Set, by Mary S. Lovell

If you like intrigue on the high seas...

Dangerous Crossing, by Rachel Rhys

If you like gritty Western romance...

Cowgirl, Unexpectedly, by Vicki Tharp

If you like dark thrillers...

The Lying Game, by Ruth Ware

If you like your female detectives witty...

A Curious Beginning, by Deanna Raybourn

If you want to be swept up in a YA saga...

Hero at the Fall, by Alwyn Hamilton

Your First Look at The Light Over London

I'm very happy today to be sharing with you a first look at my first historical women's fiction, The Light Over London, which will be coming out in paperback and ebook this fall. Split between present day and World War II, it's a story of love and loss, secrets and discovery. And there's a dreamy cover to match this beautiful story.

Available for preorder in print and ebook

Amazon | iBooks | Kobo | Nook | Google Play

For Cara Hargraves, burying herself in the past is easier than confronting the present, which is why working with a gruff but brilliant antiques dealer is the perfect salvation. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship; among the treasures, a World War II-era diary and a photograph of a young woman in uniform—the same one Cara’s grandmother wore during the war. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara embarks on a journey to untangle the affair, and just maybe uncover her grandmother’s deeply guarded secrets, too.

In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until the wealthy son of her mother’s best friend returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. But their whirlwind romance is cut short when Paul’s unit is deployed.

Desperate for a larger life, Louise defies her parents and joins the women’s branch of the British Army in the anti-aircraft gun unit. As bombs fall on London, she relishes in her growing friendships with the gunner girls and knowing she and Paul will be together when the war is over. But when a bundle of her letters to Paul are returned unanswered, she learns that wartime romance can have a much darker side.

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Lady in a Blue Dress — The Allure of Attraction's Got a Cover!

If you've ever wondered what it's like when an author gets a book cover from a publisher, it goes something like this: *email from editor dings to phone*

Me: Oh my god, please be good. Please be good. Please be good.

*opens email inbox on laptop for higher image resolution/because I'm terrified that I'm going to hate the cover and this delays the reveal for a moment*

Me: Just don't suck. That's all I want. I can handle mediocre. Totally. No problem. Oh, please, please, please don't suck.

*clicks on email and downloads image*

Me: OH THANK GOD.

That is an exact play-by-play of what happened when I opened the email from my editor for The Allure of Attraction's cover. And you know what, it didn't just not suck. I loved it.

AmAmazon | iBooks | Kobo | Nook | Google Play

Not only was I blown away by how striking that vibrant blue is, the cover model is smiling. Smiling! I've never had a smiling heroine on the cover of my historical books, and something about it makes me so incredibly happy.

In this book, you're going to meet Lavinia, our heroine. She'd be the first to tell you that a lot of bad things have happened in her life, but she's made the most of it. She's a successful dressmaker in Edinburgh, and between her shop, her friends, and her somewhat irresponsible but charming brother she has a full life. Everything is going well until the childhood sweetheart she was supposed to marry years ago walks back into her life.

Andrew's life sailing merchant ships has taken him across the globe—convenient given that he's also a spy for Her Majesty's government. He's all set to retire until his handlers give him one last job: go back home to Scotland and recruit Lavinia, the woman who broke his heart, to help him infiltrate a group at the center of a dastardly plot.

So yes, dear readers, in the summer you're going to get this beautiful book and all the second chance romance/enemies-to-lovers/espionage romance goodness inside. I hope you enjoy it as much as I've enjoyed writing it!

The Allure of Attraction releases this summer, but you can preorder it now from all major ebook retailers!

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